FLEX Magazine, January 1987
crazyarcadeflyers:

Nintendo’s original idea for a wanking machine didn’t pan out.
Berry de Mey, 1988.
Ron Harris, Summer of ‘87.
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Filmstill from “En Perfektes Paar (A Perfect Pair)”. A film by Valie Export, Austria, 1986, Color, 16mm
In tongue-in-cheek fashion, A Perfect Pair celebrates the modern-day co-mingling of fetish objects. Valie’s aproach to lust translates in modern terms to a music video about sex and consumerism. In one satiric scene a bodybuilder, who uses his body like a billboard to sell products, tries to advise a woman to do the same, saying, “Your eyes are the most beautiful blue ad-space. Your cheek could promote a Mercedes. Your neck could be a slogan for styled technology.” Export’s work is centered around the evolving role of women in a culture where images increasingly displace material reality. A Perfect Pair wonderfully illustrates the inescapability of advertising’s “regime of signs”, the signifying network of personal and product values that is effectively encoded on the space of women’s bodies.
Filmstill from “En Perfektes Paar (A Perfect Pair)”. A film by Valie Export, Austria, 1986, Color, 16mm
In tongue-in-cheek fashion, A Perfect Pair celebrates the modern-day co-mingling of fetish objects. Valie’s aproach to lust translates in modern terms to a music video about sex and consumerism. In one satiric scene a bodybuilder, who uses his body like a billboard to sell products, tries to advise a woman to do the same, saying, “Your eyes are the most beautiful blue ad-space. Your cheek could promote a Mercedes. Your neck could be a slogan for styled technology.” Export’s work is centered around the evolving role of women in a culture where images increasingly displace material reality. A Perfect Pair wonderfully illustrates the inescapability of advertising’s “regime of signs”, the signifying network of personal and product values that is effectively encoded on the space of women’s bodies.
Filmstill from “En Perfektes Paar (A Perfect Pair)”. A film by Valie Export, Austria, 1986, Color, 16mm
In tongue-in-cheek fashion, A Perfect Pair celebrates the modern-day co-mingling of fetish objects. Valie’s aproach to lust translates in modern terms to a music video about sex and consumerism. In one satiric scene a bodybuilder, who uses his body like a billboard to sell products, tries to advise a woman to do the same, saying, “Your eyes are the most beautiful blue ad-space. Your cheek could promote a Mercedes. Your neck could be a slogan for styled technology.” Export’s work is centered around the evolving role of women in a culture where images increasingly displace material reality. A Perfect Pair wonderfully illustrates the inescapability of advertising’s “regime of signs”, the signifying network of personal and product values that is effectively encoded on the space of women’s bodies.
Helmut Newton for Stern,  LA 1980.
Bob Paris, 1988.
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